バズリクソンズ ホワイトシャンブレー ワークシャツ BR25996 105 生成り調オフホワイト (メンズ 長袖シャツ) Buzz Rickson's White Chambray Work Shirt (Long Sleeve) 新品
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バズリクソンズ ホワイトシャンブレー ワークシャツ BR25996 105 生成り調オフホワイト (メンズ 長袖シャツ) Buzz Rickson's White Chambray Work Shirt (Long Sleeve) 新品
Buzz Rickson's / バズリクソンズ
サイズ実寸
| サイズ実寸 | 身幅 | 着丈 | 裄丈（袖丈) | 肩幅 |
| メンズSサイズ | 51cm | 68cm | 79cm (57cm) | 43cm |
| メンズMサイズ | 54cm | 71cm | 82cm (60cm) | 45cm |
| メンズLサイズ | 56cm | 74cm | 85cm (62cm) | 47cm |
| メンズXLサイズ | 59cm | 76cm | 90cm (65cm) | 50cm |
| メンズXXLサイズ | 61cm | 77cm | 91cm (65cm) | 52cm |
シルエットは、タイトにもルーズにも偏らず、全体としてレギュラーフィットの範囲に収まるバランスです。肩幅や身幅を極端に狭く設定したものではなく、意図的なオーバーサイズに見えるほどのボリュームも持たせていません。胸まわりから裾にかけては過度に絞り込まず、比較的まっすぐ落ちる自然なラインです。前後の裾は緩やかにラウンドしたシャツテール仕様で、タックインとタックアウトのどちらにも取り入れやすい形状です。素材にはやや薄手のシャンブレー生地を使用しており、一枚で着用できるほか、Tシャツや薄手のカットソーの上から軽く羽織るスタイルにも対応します。また、ジャケットなどのアウターのインナーにも組み合わせやすい厚みです。
身幅：衣服を平らに置き、脇から約3cm下の位置で、端から端までの幅を測定しています。
着丈：背中側の衿付け根部分(身頃と衿の縫い目)から、裾先までの長さを測定しています。
裄丈：背中の衿付け根中央部分から、袖口先端までを測定しています。
袖丈(括弧内に記載している袖丈)：肩の縫い目上部から袖口先端までを測定しています。
肩幅: 肩の縫い目から縫い目までを直線で測定しています。
サイズ計測方法はこちらです
※若干の誤差はご了承ください。
品番
BR25996 ( BR-25996 ) br25996-105-offwhite
色
105 Natural Off-White 生成り調オフホワイト
素材
綿100% ライトウェイト・シャンブレー生地
状態・生産国
新品です Made in Japan 日本製
商品説明
東洋エンタープライズ社(Toyo Enterprises)が展開するミリタリーウェアレーベル、BUZZ RICKSON'S(バズリクソンズ)のホワイトシャンブレーワークシャツ(メンズ 長袖シャツ ロングスリーブシャツ)です。
本製品は、1950年代にアメリカ海軍の水兵が作業時に着用していたブルーシャンブレー製ユーティリティシャツのデザインをベースに、本来のブルーシャンブレーを生成り調のオフホワイトシャンブレーへ置き換えて再構築した、Buzz Rickson'sのオリジナルモデルです。当時の米海軍シャツに見られる実用的なディテールや縫製構造を取り入れながら、シャンブレー生地とボタンなどの構成要素をオフホワイト系の色調で統一しています。クラシックなミリタリーワークシャツの構造を残しつつ、ブルーシャンブレーとは異なる、明るく落ち着いた外観に仕上げられています。素材にはやや薄手のオフホワイトシャンブレー生地を使用しています。一枚でシャツとして着用するほか、Tシャツの上から軽く羽織るスタイルや、ジャケットのインナーとしての重ね着にも対応します。
スタイルは、台襟付きの標準的なポイントカラーを採用したフルオープンタイプで、裾は前後が緩やかな曲線を描くラウンド型のシャツテール仕様です。生成り調のオフホワイトシャンブレー、主要部分の2本針巻き縫い、両胸のパッチポケット、脇裾のサイドガゼットや空環仕上げなど、1950年代の米海軍ユーティリティシャツを踏まえたディテールが随所に取り入れられています。本来のブルーシャンブレーをオフホワイトシャンブレーへ置き換えながら、ミリタリー由来の無骨さと、現代のカジュアルウェアとしての扱いやすさを両立させています。
素材には、綿100％のライトウェイト・シャンブレー生地を使用しています。経糸と緯糸の双方にオフホワイト系の糸が用いられています。一般的なブルーシャンブレーが、ブルーの経糸と白い緯糸の組み合わせによって青みのある霜降り調を形成するのに対し、本製品は生地全体を生成り調のオフホワイトでまとめています。シャンブレー特有の織り目や陰影を残しながら、ブルーシャンブレーとは異なる、明るく落ち着いた外観です。
生地には糸本来の表情が残されており、表面には自然な織りムラと細かな波打ちが見られます。また、生成りの綿糸には、綿花由来の茶色や黒に近い微細な色粒がが点在し、部分的には糸節による小さなネップも表面に現れています。綿100％でありながら、麻素材を思わせるようなシワ感があり、均一で平滑な生地とは異なる、素朴でやや粗野感のある表情を形成しています。これらは汚れや生地不良ではなく、生成りの綿糸とと織り組織が本来持つ特徴です。
生地は薄手で軽量ですが、柔らかくドレープ感の強いものではなく、適度なハリとコシを備えています。厚手のワークシャツほどの重さやボリュームはありませんが、適度なハリによってワークシャツらしい輪郭を保ちやすい生地感です。着用と洗濯を重ねるにつれて当初のハリが少しずつほぐれ、徐々に身体に馴染んでいきます。
仕上げ工程では、ワンウォッシュ加工が施されています。この処理によって生地の初期的な硬さが適度にほぐされ、着用当初から未洗い生地ほど硬さを感じにくい状態に整えられています。また、あらかじめ洗いをかけることで、未洗いの製品と比べて購入後に生じる大きな初期収縮がある程度抑えられています。ただし、洗濯方法や乾燥条件、洗濯の繰り返しによっては、その後も多少の縮みが生じる場合があります。
着用と洗濯を重ねるにつれて、生地は少しずつしなやかになり、表面のシワ感や織り目の表情も深まっていきます。縫い目の周囲には細かなパッカリングやアタリが現れ、生成り調の穏やかな色合いを背景に、生地と縫製部分の陰影が徐々に際立ちます。濃色生地の退色とは異なる、オフホワイトシャンブレーならではの風合いの変化を楽しめます。
襟元は、台襟を備えた標準的なポイントカラーです。襟先に向かって自然に細くなるクラシックな形状で、台襟が襟本体を支えることにより、首まわりに適度な立体感と安定感を与えています。オープンカラーのように襟元を開いて着用することを前提とした襟型とは異なり、前立ての最上部までボタンを留められる、伝統的なワークシャツの仕様です。第一ボタンまで留めれば襟の形が整い、ボタンを開ければ首まわりに自然な開きが生まれます。
フロントは、ボタン開閉式のフルオープン仕様で、日常的に着脱しやすい構造です。前端の仕立ては左右で異なり、左身頃には、共生地を二重にした別裁ちの前立てパーツを身頃へ縫い付ける構造を採用しています。一方、右身頃は前端を内側へ折り返して生地を二重にすることで、見返しと補強を兼ねた一体型の構造に仕立てられています。フロントには6つのボタンが配置され、それぞれに対応するボタンホールは前開きに沿って縦方向に設けられています。
両胸には、身頃の表面に直接縫い付けたパッチポケットが配置されています。ポケットフラップは設けず、それぞれのポケット本体の上端を内側に折り返して二重にすることで、ポケット口を補強しています。この二重仕立て部分にはボタンホールが設けられ、身頃側に縫い付けられたボタンでポケット口を留める構造です。ポケット本体は、下部の両角に緩やかな丸みを持たせた形状で、ワークシャツらしい実用的な構造を保ちながら、外観の硬さを適度に和らげています。
袖は、成形した袖山を身頃のアームホールに縫い合わせて取り付ける、長袖のセットインスリーブ仕様です。肩先に袖付け位置が定まるオーソドックスな構造で、肩から腕にかけて自然なラインを形成します。クラシックなワークシャツらしい肩まわりに仕上げられています。
袖口は、1つのボタンで開閉するシングルカフ仕様です。カフの先端は丸みを持たせず、直線的な角型に仕上げられています。ボタンホールは袖口に対して横方向に設けられており、カフを閉じた状態でボタンに加わる力を受け止めやすい配置です。カフの上部には袖口を広げるためのスリットが設けられ、ボタンを外した際に手を通しやすく、袖をまくる際にも袖口を開きやすい構造となっています。
フロント、胸ポケット、袖口には、オフホワイト系の尿素製2つ穴皿ボタンが使用されています。中央部分が皿状にくぼんだ立体的な形状で、縫い付け糸がボタン表面から大きく突出せず、くぼみの内側に収まりやすくなっています。これにより、着用時の摩擦や外部からの引っ掛かりに縫い付け糸が直接触れにくく、糸の位置も安定しやすい構造です。生地、ボタン、縫製糸を生成り調のオフホワイト系でまとめることで、各部の実用的な構造を残しながら、外観には統一感が与えられています。
背中上部は、左右の肩をつなぐバックヨークパネルで切り替えられています。バックヨークは2枚の生地を重ねた二重仕立てで、着脱や腕の動きによって負荷がかかりやすい肩から背中上部にかけてを補強しています。また、二重の生地によって背中上部の形状が安定しやすく、肩まわりの構造を保ちやすい仕立てとなっています。
背面にはプリーツや装飾的な切り替えを加えず、バックヨークから裾に向かって身頃が自然に落ちる構成です。肩まわりは二重仕立てのバックヨークで補強し、それ以外の背面では、薄手のシャンブレー生地が持つ自然なしなやかさを生かしています。生成り調の色合い、細かな織り目、ネップや自然なシワ感を広い面で見せる、落ち着いた後ろ姿に仕上げられています。
裾は、前後身頃の中央部分から両脇に向かって自然に高くなる曲線を描いた、ラウンド型のシャツテール仕様です。クラシックなワークシャツに見られる伝統的な裾形状で、裾を出して着用した際には、直線的で平坦な裾線にならず、前後の緩やかな曲線が身体に沿って自然に収まります。
両脇の縫い目の裾部分には、小さな三角形のサイドガゼットが取り付けられています。脇裾は、着用時の身体の動きや裾の引っ張りによって負荷が集中しやすい箇所です。身頃とは別に補強用のマチを加えることで、脇縫いの終端や裾端にかかる力を分散し、裂けやほつれを防ぎやすくしています。古いワークシャツにも見られる、装飾ではなく耐久性を目的とした実用的なディテールです。サイドガゼットには、シャンブレー生地の耳部分が使用されています。セルビッジはシャツ全体を装飾するものではなく、脇裾の小さな補強部分に限って確認できる控えめな仕様です。使用している生地の製織方法を示すとともに、古いワークウェアの製造背景を思わせるディテールとなっています。
脇裾部分には、縫製の終端から伸びる2列の空環が意図的に残されています。空環とは、環縫いミシンによる縫製が生地端を越えた後に形成される、糸のループが連続した鎖状の糸端です。単に複数の糸を撚って裾から垂らしたものではなく、脇の縫い目と連続した環縫いの構造が、そのまま糸端として残されています。本製品では空環をあえて残すことで、ヴィンテージワークシャツに見られる縫製仕様を再現しています。空環の長さや糸のまとまり方には多少の個体差が見られる場合がありますが、縫製不良や処理忘れではなく、意図的な仕様です。
脇、肩、アームホール、バックヨーク、袖など、着用時の動きや引っ張りによって負荷がかかりやすい主要部分には、2本針巻き縫いが用いられています。2本針巻き縫いとは、生地端と縫い代を内側に巻き込みながら、2本の平行したステッチで生地を縫い合わせる縫製方法です。裁ち端が内側に包み込まれるため、縫い代が安定しやすく、生地端のほつれを抑えながら縫い目を補強します。2本のステッチが縫い目にかかる負荷を分散するとともに、生地表面に現れる平行したステッチラインが、ヴィンテージワークシャツらしい構造的な外観を形成しています。着用と洗濯を重ねることで、縫い目の周囲には細かなパッカリングやアタリが生まれ、生地と縫製部分の立体感が徐々に深まっていきます。
縫製糸は、生成り調のオフホワイトシャンブレーと調和する同系色でまとめられています。生地と縫製糸の間に見られるわずかな色調差によって、シャツ全体の穏やかな色合いを損なうことなく、襟、前立て、胸ポケット、バックヨーク、アームホールなどの構造が控えめに浮かび上がります。生地の凹凸感と縫製糸の微妙な陰影が組み合わさることで、完全に均質で平面的な白無地とは異なる、奥行きのある外観が生まれています。
襟の内側には、Buzz Rickson & Co.の織りネームが取り付けられています。シャツの外側には大きなブランドロゴや装飾を加えず、ブランドを示す要素を内側に配置した控えめな構成です。
1950年代の米海軍ユーティリティシャツの構造を基本としながら、本来のブルーシャンブレーを生成り調のオフホワイトシャンブレーへ置き換えた本製品は、ヴィンテージワークウェアの実用的なディテールと、Buzz Rickson'sによる独自の色彩表現を兼ね備えています。簡潔な外観でありながら、生地の凹凸感、二重仕立てのバックヨーク、2本針巻き縫い、セルビッジを使用したサイドガゼット、空環仕上げなど、伝統的なワークシャツの製造背景を反映した細部を備えています。
「Buzz Rickson's by Toyo Enterprises / Lot No. BR25996 / WHITE CHAMBRAY WORK SHIRT (LONG SLEEVE) バズリクソンズ バズリクソン 東洋エンタープライズ ライトウェイト ホワイトシャンブレー ワークシャツ ミリタリーシャツ メンズ カジュアル ファッション アメカジ 長袖シャツ ロングスリーブシャツ 日本製」
洗濯表記
液温は30℃を限度として、洗濯機で非常に弱い洗濯ができます。
漂白剤の使用禁止。
タンブル乾燥禁止。
日陰のつり干しがよい。
底面温度を低温で、あて布の上から、アイロンがけができます。
石油系溶剤による弱いドライクリーニングができます。
弱い操作によるウエットクリーニングができます。
ご確認事項
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- ご注文をいただいた場合でも、タイミングにより売り切れとなっていることがございます。何卒ご理解・ご了承くださいますようお願い申し上げます。
- すべての寸法は商品を平置きした状態で手作業により計測しているため、商品には個体差があり、計測方法によっても若干の誤差が生じる場合があります。
- 実際の色味は、撮影時の照明環境やご使用のモニター・画面設定により、写真と多少異なって見える場合がございます。
Product Description in English.
Buzz Rickson's Men's Off-White Chambray Long-Sleeve Work Shirt, Modified 1950s U.S. Navy Utility Shirt Design, Made in Japan (BR25996 105 Ecru-Toned Off-White)
Buzz Rickson
This men's long-sleeve button-up shirt is made in Japan by Buzz Rickson's, Toyo Enterprise's military label specializing in vintage-inspired American military clothing. Its construction is based on the blue chambray utility shirts worn by U.S. Navy sailors during the 1950s, but the original blue chambray has been replaced with an ecru-toned off-white chambray, creating a distinctive Buzz Rickson's reinterpretation rather than an exact color reproduction. The lightweight 100% cotton chambray displays natural weave irregularities, small neps, and subtle, linen-like wrinkling, giving the fabric a rough, rustic workwear character. The shirt incorporates period-inspired details such as a collar stand, flapless buttoned chest pockets, rounded shirttail hem, selvedge side gussets, and chain-stitch runoffs extending from the side seams at the hem. Together, these details preserve the practical character of the original design while giving the shirt a lighter, more understated appearance. Its balanced silhouette is neither overly slim nor excessively loose, allowing it to blend naturally into contemporary casual wardrobes.
Size and Fit Guide:
Gender: Men.
This shirt has a balanced silhouette that is neither overly slim nor excessively loose and falls broadly within the range of a regular fit. The shoulders and body are not cut especially narrow, nor does the shirt have the added volume of an intentionally oversized design. The body is not heavily tapered from the chest to the hem, allowing it to fall in a relatively straight, natural line. The front and back are finished with a gently rounded shirttail hem, making the shirt suitable for wearing either tucked in or untucked. Made from relatively lightweight chambray, it can be worn on its own or open over a T-shirt or other lightweight top. The fabric is also light enough to layer easily under a jacket or other outerwear.
Because fit may vary depending on body type and personal preference, please use the actual garment measurements below as your primary reference. For the most accurate comparison, we recommend measuring a similar long-sleeve shirt that fits you well. All measurements are taken by hand with a measuring tape, so slight variations may occur from one garment to another and depending on the measuring method.
Our model is wearing a tagged size S (14-14 1/2). He stands 5'9" (175 cm) tall, weighs 127 lbs (58 kg), and has a 36-inch (91 cm) chest. He typically wears a US/EU size S (36) in most garments.
The following measurements show the garment itself, not your body measurements.
Please compare them with a similar shirt from your wardrobe to get a better sense of the fit.
In inches
Tagged Size S (14-14 1/2)
Width: 20.1" / Length: 26.8"
Sleeve: 31.1" (22.4") / Shoulder: 16.9"
Tagged Size M (15-15 1/2)
Width: 21.3" / Length: 28.0"
Sleeve: 32.3" (23.6") / Shoulder: 17.7"
Tagged Size L (16-16 1/2)
Width: 22.0" / Length: 29.1"
Sleeve: 33.5" (24.4") / Shoulder: 18.5"
Tagged Size XL (17-17 1/2)
Width: 23.2" / Length: 29.9"
Sleeve: 35.4" (25.6") / Shoulder: 19.7"
Tagged Size XXL (18-18 1/2)
Width: 24.0" / Length: 30.3"
Sleeve: 35.8" (25.6") / Shoulder: 20.5"
In centimeters
Tagged Size S (14-14 1/2)
Width: 51cm / Length: 68cm
Sleeve: 79cm (57cm) / Shoulder: 43cm
Tagged Size M (15-15 1/2)
Width: 54cm / Length: 71cm
Sleeve: 82cm (60cm) / Shoulder: 45cm
Tagged Size L (16-16 1/2)
Width: 56cm / Length: 74cm
Sleeve: 85cm (62cm) / Shoulder: 47cm
Tagged Size XL (17-17 1/2)
Width: 59cm / Length: 76cm
Sleeve: 90cm (65cm) / Shoulder: 50cm
Tagged Size XXL (18-18 1/2)
Width: 61cm / Length: 77cm
Sleeve: 91cm (65cm) / Shoulder: 52cm
[How We Measure the Actual Garment]
Width (Chest Width / Half Chest): Lay the garment flat and measure straight across from side to side, approximately 3 cm (about 1.2 in.) below the armholes.
Length (Body Length): Measured from the base of the back collar, where the collar joins the body, straight down to the bottom of the back hem.
Sleeve (Center-Back Sleeve Length): The first sleeve measurement is taken from the center back at the base of the collar seam, across the shoulder, and down to the end of the cuff.
Sleeve in Parentheses (Sleeve Length from Shoulder Seam): The sleeve measurement shown in parentheses is taken from the top of the shoulder seam straight down to the end of the cuff.
Shoulder (Shoulder Width): Measured straight across the back from the outer edge of one shoulder seam to the outer edge of the other.
Made in Japan.
Brand new with tags, in unused condition.
- All measurements are taken by hand with the garment laid flat, using a measuring tape.
- Please note that slight variations in measurements may occur due to individual garment differences and the measuring method.
- Actual color may vary slightly from the photos due to lighting conditions and individual screen settings.
Lightweight 100% Cotton Ecru-Toned Off-White Chambray Fabric
The shirt is made from lightweight 100% cotton chambray fabric. Off-white yarns are used in both the lengthwise warp and crosswise weft, creating a unified ecru-toned appearance across the fabric.
Conventional blue chambray generally combines blue warp yarns with white weft yarns, producing a blue-toned, heathered appearance as the two yarn colors intersect. On this shirt, the use of off-white yarns in both directions creates a more consistent natural color while preserving the fine woven texture and subtle shading characteristic of chambray. The result is brighter than conventional blue chambray but remains subdued rather than appearing stark or uniformly white.
Natural Weave Variation, Neps, and Linen-Like Wrinkling
The fabric retains the natural character of the yarns, with slight weave irregularities, fine surface undulation, and small variations in texture visible throughout. Rather than forming a completely flat and mechanically uniform surface, the intersecting yarns create subtle differences in height, tension, and shading.
Fine brown and nearly black flecks originating from the natural cotton are scattered throughout the ecru-colored yarns. Small neps also appear intermittently where irregular or slightly thicker sections of yarn rise above the surrounding weave. These details give the fabric visible depth at close range without forming a printed or intentionally patterned surface.
Although the fabric is made entirely from cotton, it also develops natural creasing and subtle surface wrinkling that can recall the appearance of linen. The combination of woven irregularity, cotton-derived flecks, small neps, and linen-like wrinkles gives the cloth a rustic and slightly rough workwear character rather than the smooth appearance of a highly uniform shirting fabric.
These characteristics are not stains or fabric defects. They are inherent features of the natural ecru cotton yarns and the woven structure of the chambray. Their placement, size, and concentration may vary slightly between different areas of the fabric and from one garment to another.
Lightweight Fabric with Moderate Firmness and Resilience
The chambray is thin and lightweight, but it is not exceptionally soft, fluid, or strongly draped. The fabric retains moderate firmness, crispness, and resilience, giving it enough body to support the outline of a traditional work shirt.<
It does not have the weight or volume of a heavy work-shirt fabric, yet its remaining structure prevents it from collapsing closely against the body like a softer and more fluid shirting material. This balance allows the shirt to remain lightweight while preserving a clearly defined workwear shape.
With repeated wear and laundering, the initial firmness gradually relaxes. The cotton fabric becomes progressively more pliable and conforms more naturally to the wearer while retaining the woven character of the chambray.
One-Wash Finish
The completed shirt is given a one-wash finish during the final production stage. Washing the garment before sale relaxes part of the fabric's initial rigidity, so the chambray feels less hard at the beginning of wear than it would in a completely unwashed state. The process does not eliminate the moderate firmness and body that define the fabric.
Because the garment has already been washed once during production, the possibility of substantial initial shrinkage after purchase is reduced to some extent compared with an untreated, unwashed cotton shirt. However, the fabric is not shrink-proof. Slight additional dimensional changes may still occur depending on the washing method, water temperature, drying conditions, frequency of laundering, and individual garment variation.
Changes with Wear and Laundering
With continued wear and washing, the cotton chambray gradually becomes more pliable, while the natural creasing and definition of the weave become increasingly pronounced. The fabric therefore develops from its original new-garment condition into a surface and hand that conform more naturally to the wearer.
Fine puckering and subtle wear-related shading may also develop around the seams. As the fabric contracts and relaxes around the stitched areas, the differences in height and shadow between the chambray and sewing lines become more visible, gradually giving the construction greater dimensional definition.
Because the fabric is ecru-toned off-white, its development differs from the obvious fading normally associated with dark dyed cloth. Changes appear primarily through increased pliability, deeper woven texture, more defined wrinkles, and subtle shadows around the seams. These characteristics allow the off-white chambray to develop its own distinctive appearance through continued wear and laundering.
Point Collar with a Separate Collar Stand
The neckline is finished with a standard point collar attached to a separate collar stand. The collar narrows naturally toward the points, creating the familiar profile of a traditional button-front work shirt.
The separate stand forms a supporting band around the base of the neck. This construction stabilizes the collar body and gives the neckline moderate dimensional definition instead of allowing the collar to lie completely flat against the upper body.
Unlike a camp collar or open collar designed primarily to remain spread at the neckline, this collar can be fastened completely with the top button. When fully buttoned, the collar maintains a more orderly and defined shape. When the top button is left open, it forms a natural opening around the neck for more casual wear.
Full Six-Button Front with Asymmetrical Placket Construction
The shirt uses a full-opening button front that extends from the neckline to the hem. Six buttons are arranged along the front, and the corresponding buttonholes are oriented vertically in line with the opening. This configuration allows the garment to be opened completely for dressing and removal.
The two sides of the front opening use different construction methods. On the left front panel, a separate strip of matching chambray is folded to form a double layer and sewn onto the body as an applied placket. The added layer reinforces the buttonhole side and gives the front edge a stable, clearly defined shape.
On the right front panel, the edge of the body fabric is turned inward to create a doubled integrated facing rather than using a separate applied placket component. This folded section supports the button attachments and reinforces the opposite front edge.
Together, the applied placket and integrated facing reinforce both sides of the opening while preserving the asymmetrical front construction found on traditional work shirts.
Flapless Buttoned Chest Patch Pockets
Two patch pockets are sewn directly onto the exterior of the chest. The pockets do not use separate flaps. Instead, the upper edge of each pocket body is turned inward to form a double-layer opening.
The doubled upper section reinforces the part of the pocket that is repeatedly handled when items are inserted or removed. A buttonhole is worked into this reinforced section, and the pocket opening is secured by a button sewn to the shirt body behind it.
This construction closes the pocket directly without adding the separate layer and visual weight of an independent pocket flap. Both lower corners of each pocket are formed with gentle curves rather than sharp points. The rounded shape softens the outline of the pockets while retaining the direct and functional construction of a traditional work shirt.
Long Set-In Sleeve Construction
The shirt uses conventional long set-in sleeves. Each shaped sleeve cap is sewn into the corresponding armhole, with the sleeve beginning at the outer end of the shoulder seam. This establishes a clearly defined boundary between the body and sleeve and allows the sleeve to fall naturally from the shoulder along the arm.
This differs from raglan construction, in which the sleeve panel extends diagonally toward the neckline. The set-in configuration uses distinct shoulder and sleeve pattern sections, supporting the traditional shoulder shape and orderly appearance associated with a classic button-front work shirt.
Square Single-Button Cuffs and Sleeve Slits
Each sleeve is finished with a single-button cuff. The cuff ends have straight, square corners rather than rounded edges, reinforcing the shirt's simple and functional workwear appearance.
The cuff buttonhole is positioned horizontally in relation to the sleeve opening. This orientation corresponds to the lateral tension placed on the closure when the cuff is fastened around the wrist and helps the buttonhole receive that force along its length.
A slit opening is incorporated above each cuff. When the cuff button is released, the slit allows the lower sleeve to spread wider so the hand can pass through more easily. The opening also makes it easier to turn back the lower sleeve when the shirt is worn with the cuffs rolled.
Off-White Urea Two-Hole Dish-Shaped Buttons
Off-white two-hole buttons made from urea resin are used at the front, chest pockets, and cuffs. Each button has a dimensional dish-shaped profile with a recessed center. This recess allows the attachment thread to sit within the center of the button rather than protruding prominently above its surface.
Positioning the thread within the recessed area reduces its direct exposure to surface friction and accidental snagging while helping keep the thread centered and stable. This is a functional button construction rather than a purely decorative shape.
The off-white buttons and sewing thread are coordinated with the ecru-toned chambray. This tonal combination gives the shirt a unified appearance without concealing the practical construction of the individual components.
Double-Layer Back Yoke
The upper back is divided by a yoke panel extending across both shoulders. The back yoke is constructed from two layers of matching chambray, adding reinforcement to the shoulder and upper-back area where the shirt is repeatedly subjected to tension during dressing and arm movement.
The doubled construction also adds localized thickness and stability to the upper back. It supports the surrounding seams and helps the shoulder area retain its defined structure through repeated wear and laundering while the remainder of the shirt maintains the lighter character of the single-layer chambray.
Clean Back Construction Without Pleats
The back does not include pleats or decorative paneling below the yoke. Instead, the body falls directly and naturally from the lower edge of the back yoke toward the hem, creating a straightforward and uncluttered construction.
The double-layer yoke supplies reinforcement across the shoulders, while the uninterrupted lower back allows the lightweight chambray to retain its natural flexibility. The broad fabric surface also displays the ecru tone, fine weave, intermittent neps, and naturally wrinkled texture without additional seams or decorative interruptions.
Rounded Shirttail Hem
The hem is cut in a rounded shirttail shape. On both the front and back, the hem curves upward from the center toward the side seams. This is a traditional hem profile commonly associated with classic work shirts.
When the shirt is worn untucked, the front and back curves avoid the straight, flat horizontal line created by a square-cut hem. Instead, the rounded sections follow the body and fall in a softer, more natural line around the waist and hips.
Selvedge Triangular Side Gussets
A small triangular gusset is installed where each side seam meets the hem. This junction is particularly vulnerable to concentrated stress because body movement and pulling across the lower shirt place repeated tension on the terminal point of the side seam.
Adding a separate reinforcing piece helps distribute this tension over a broader area and reduces direct strain on the seam end and hem edge. The gussets therefore help protect the lower side seams from splitting or fraying. This is a functional reinforcement method found on older work shirts rather than a purely decorative addition.
Each gusset uses the selvedge edge of the chambray. The selvedge is the finished outer edge formed during the weaving of the fabric. It is not displayed prominently across the shirt and can be seen only within these small reinforcement pieces at the side hems.
This restrained use of the fabric edge provides a subtle indication of the cloth's woven construction and recalls manufacturing details associated with older workwear. It does not serve as a large exterior decoration.
Two-Row Chain-Stitch Runoffs at the Side Hems
Two chain-stitch runoff tails are deliberately left extending from the lower side seams. A runoff is formed when a chain-stitch sewing machine continues feeding thread after the completed seam has passed beyond the edge of the fabric. With no fabric between the stitches, the interlocking thread loops continue as narrow chains.
These tails are not separate strands twisted together and attached to the hem. They are direct continuations of the chain stitching used to construct the side seams. Leaving the runoffs untrimmed reproduces a sewing detail associated with vintage work shirts and older garment-production methods.
Because the runoffs hang freely from the side hems, their length, direction, and the way the thread chains gather may vary slightly from one garment to another. This variation is normal. The visible thread chains are not evidence of loose sewing, an unfinished seam, or a missed trimming operation. They are an intentional construction detail.
Double-Needle Felled Seam Construction
Double-needle felled seams are used at major structural areas, including the side seams, shoulder seams, armholes, back yoke, and sleeves. These locations are regularly subjected to movement, pulling, and repeated stress during wear.
In this construction, the raw fabric edges and seam allowances are folded and enclosed within the seam rather than being left exposed. Two parallel rows of stitching secure the folded layers. Enclosing the cut edges helps control fraying, keeps the seam allowances stable, and reinforces the joined fabric panels.
The two stitch rows secure a broader section of fabric than a single row and help distribute stress along the length of the seam. This is particularly relevant at the armholes and side seams, where repeated arm and body movement continually places tension on the construction.
The parallel stitch lines remain visible on the exterior, making the structural construction of the shirt part of its appearance. With repeated wear and laundering, fine puckering and subtle wear marks may develop around these seams, gradually increasing the dimensional relationship between the stitching and chambray.
Interior Buzz Rickson & Co. Woven Label
A Buzz Rickson & Co. woven label is attached inside the collar. No large brand logo or decorative branding is applied to the exterior. The identifying brand element is kept inside the garment, preserving the restrained appearance of the shirt.
Made in Japan
This shirt is made in Japan by Buzz Rickson's. It combines lightweight 100% cotton off-white chambray with a point collar and separate collar stand, asymmetrical front placket construction, flapless buttoned chest pockets, long set-in sleeves, square single-button cuffs, a double-layer back yoke, a rounded shirttail hem, selvedge side gussets, chain-stitch runoffs, and double-needle felled seams.
The construction retains the practical details associated with a 1950s U.S. Navy utility shirt while replacing the conventional blue chambray with ecru-toned off-white cloth. The result is a Buzz Rickson's original reinterpretation that combines vintage workwear construction with the brand's own off-white color treatment.
Model: Buzz Rickson's by Toyo Enterprises / Lot No. BR25996 / White Chambray Work Shirt (Long Sleeve).
Care Instructions
Machine wash at a maximum temperature of 30°C / 86°F using a very gentle cycle.
Do not bleach.
Do not tumble dry.
Line dry in the shade.
Iron at a low temperature with a pressing cloth placed between the iron and garment.
Gentle dry cleaning with petroleum-based solvents is permitted.
Gentle professional wet cleaning is permitted.
Because this is a cotton garment, slight additional shrinkage may occur depending on the washing method, water temperature, and drying conditions, even though the shirt has already received a one-wash finish.
Always follow the care instructions attached to the actual product.
Important Notes
- Our inventory is shared among our physical retail store and multiple online stores, so inventory updates may not always be reflected immediately on each website.
- Even after an order has been placed, an item may occasionally be sold out due to the timing of simultaneous purchases. We sincerely appreciate your understanding.
- All measurements are taken manually with the garment laid flat and measured using a tape measure. Because individual garments may vary and measurement methods may differ, slight measurement discrepancies may occur.
- The actual color of the product may appear slightly different from the photographs depending on the lighting conditions during photography and the settings of your monitor or display.